Theatre
Dramaturges: Isidora Stevenson and Bosco Cayo | Director: Aliocha De la Sotta | Cast: Paulina Giglio, Cecilia Herrera, Mónica Ríos, Jaime Leiva and Bosco Cayo | Lighting and Set Designer: Rodrigo Leal | Costume Designer: Felipe Olivares | Sound Universe: Fernando Milagros | Voice Rap: Catalina Cornejo Paillamil | Producer: Francesca Ceccotti | Assistant Director: Sebastián Ibacache | Lighting Technician: Rodrigo Mateo | Stage Machinery Operator: Tomás Ahumada | A Co-Production of Centro GAM and Teatro La Mala Clase
Aliocha De la Sotta
Director
Among the great Chilean creators
Actress and director, she studied at the Academia de Actuación of Fernando González and then at the Conservatoire Royal D'Art Dramatique in Belgium. Since 2009 she is part of the company Teatro La Mala Clase, where she has directed outstanding productions such as La Mala Clase, La Chancha, Lefttaru and El Dylan, as well as plays such as the acclaimed Hilda Peña y Mistral, Gabriela (1945). She is currently part of the cast of Cómo Convertirse en Piedra, the latest creation of Chilean director Manuela Infante.
Teatro La Mala Clase
The company
Stories of today that expand audiences
This company with more than ten years of experience has developed an outstanding body of work focused on teenager audiences. Its plays, which touch on current and necessary topics, have been watched by more than 200,000 young people throughout Chile, and have been programmed in the main theaters of Santiago, such as GAM, Teatro UC and Matucana 100, among others. Some its main works are La Mala Clase, La Chancha, Leftraru, La Historia de los Anfibios, El Dylan and, more recently, El Nudo.
PRODUCE
El Nudo
By Isidora Stevenson and Bosco Cayo | Compañía Teatro La Mala Clase | Directed by Aliocha de la Sotta
- Chile
- Spanish
- 60 minutes
- + 14 years
The arrival of the feminist movement to a southern Chilean high school revives the quest for justice within a group of former female students, in relation to an abuse that occurred in the past.
In a high school in La Unión, Southern Chile, the feminist movement has arrived, generating important changes and revolutionizing relationships among the members of the educational community. Adults are starting to worry: they must act soon. A workshop on New Masculinities and a workshop on Feminist Theories have elucidated what is happening between boys and girls. In the midst of this revolt, a group of high school alumni reveals an abuse case that took place in the past. They turn to feminism in order to obtain the justice that they never got. The plot takes an unexpected turn when a student gets caught in the middle of this tangled knot.
With this new play, the company Teatro La Mala Clase seeks to investigate gender awareness and the vision of teenagers in Chile, inviting them to challenge gender stereotypes in education. In addition, they try to channel the formation of young Chilean women and men towards equality, respect, and non-sexism.
El Nudo
By Isidora Stevenson and Bosco Cayo | Compañía Teatro La Mala Clase | Directed by Aliocha de la Sotta
- Chile
- Spanish
- 60 minutes
- + 14 years
The arrival of the feminist movement to a southern Chilean high school revives the quest for justice within a group of former female students, in relation to an abuse that occurred in the past.
In a high school in La Unión, Southern Chile, the feminist movement has arrived, generating important changes and revolutionizing relationships among the members of the educational community. Adults are starting to worry: they must act soon. A workshop on New Masculinities and a workshop on Feminist Theories have elucidated what is happening between boys and girls. In the midst of this revolt, a group of high school alumni reveals an abuse case that took place in the past. They turn to feminism in order to obtain the justice that they never got. The plot takes an unexpected turn when a student gets caught in the middle of this tangled knot.
With this new play, the company Teatro La Mala Clase seeks to investigate gender awareness and the vision of teenagers in Chile, inviting them to challenge gender stereotypes in education. In addition, they try to channel the formation of young Chilean women and men towards equality, respect, and non-sexism.
Dramaturges: Isidora Stevenson and Bosco Cayo | Director: Aliocha De la Sotta | Cast: Paulina Giglio, Cecilia Herrera, Mónica Ríos, Jaime Leiva and Bosco Cayo | Lighting and Set Designer: Rodrigo Leal | Costume Designer: Felipe Olivares | Sound Universe: Fernando Milagros | Voice Rap: Catalina Cornejo Paillamil | Producer: Francesca Ceccotti | Assistant Director: Sebastián Ibacache | Lighting Technician: Rodrigo Mateo | Stage Machinery Operator: Tomás Ahumada | A Co-Production of Centro GAM and Teatro La Mala Clase
Aliocha De la Sotta
Director
Among the great Chilean creators
Actress and director, she studied at the Academia de Actuación of Fernando González and then at the Conservatoire Royal D'Art Dramatique in Belgium. Since 2009 she is part of the company Teatro La Mala Clase, where she has directed outstanding productions such as La Mala Clase, La Chancha, Lefttaru and El Dylan, as well as plays such as the acclaimed Hilda Peña y Mistral, Gabriela (1945). She is currently part of the cast of Cómo Convertirse en Piedra, the latest creation of Chilean director Manuela Infante.
Teatro La Mala Clase
The company
Stories of today that expand audiences
This company with more than ten years of experience has developed an outstanding body of work focused on teenager audiences. Its plays, which touch on current and necessary topics, have been watched by more than 200,000 young people throughout Chile, and have been programmed in the main theaters of Santiago, such as GAM, Teatro UC and Matucana 100, among others. Some its main works are La Mala Clase, La Chancha, Leftraru, La Historia de los Anfibios, El Dylan and, more recently, El Nudo.
PRODUCE